Rosebud Ben-Oni

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Born to a Mexican mother and Jewish father, Rosebud Ben-Oni is the author of several collections of poetry, including If This Is the Age We End Discovery (March 2021), which won the Alice James Award and was a Finalist for the National Jewish Book Award.  She is also the author of turn around, BRXGHT XYXS (Get Fresh Books, 2019), and in 2023, she received a Café Royal Cultural Foundation grant to write The Atomic Sonnets, a full length poetry collection based on her chapbook 20 Atomic Sonnets (Black Warrior Review, 2020), which she began in honor of the Periodic Table’s 150th Birthday in 2019.

She also has received fellowships and grants from the New York Foundation for the Arts, City Artists Corps, Café Royal Cultural Foundation, CantoMundo and Queens Council on the Arts. Her work appears in POETRY, The American Poetry Review, Academy of American Poets, Tin House, Guernica, Electric Literature, among others. Her poem “Dancing with Kiko on the Moon” was recently featured in Tracy K. Smith’s The Slowdown. In 2017, her poem “Poet Wrestling with Angels in the Dark” was commissioned by the National September 11 Memorial & Museum in NYC, and published by The Kenyon Review Online. She lives in New York City where she teaches poetry workshops at UCLA Writers’ Program online; from 2015- 2020, she wrote weekly for The Kenyon Review blog.

In 2022, Paramount commissioned her video essay “My Judaism is a Wild Unplace” for a nationwide television campaign for Jewish Heritage Month. In January 2023, she performed at Carnegie Hall on International Holocaust Memorial Day, as part “We Are Here: Songs From The Holocaust,” and in Autumn 2023, her poem “When You Are the Arrow of Time” was commissioned by the Museum of Jewish Heritage— A Living Memorial to the Holocaust to accompany Andy Goldsworthy’s Garden of Stones exhibit.

SELECTED PUBLICATIONS:

POETRY: “Poet Wrestling with Blood Falling Silent,” Poetry

POETRY: "Poet Wrestling with Starhorse in the Dark,” Tin House

POETRY: "While New Zealand Declares the Tooth Fairy & Easter Bunny Essential Workers,” The Kenyon Review blog

POETRY: "Quantum Theory Is in Trouble & the Problem Is You,” North American Review

POETRY: “Poet Wrestling with the Possibility She’s Living in a Simulation,” Guernica

INTERVIEW: “Take Five: Q & A with Rosebud Ben-Oni on Verse & the Multiverse,” Poet’s House

INTERVIEW: “Radio Interview with WKCR’s Studio A,” Columbia University

works:

If This Is the Age We End DiscoveryAlice James Books, 2021

If This Is the Age We End Discovery

Alice James Books, 2021

20 Atomic SonnetsBlack Warrior Review, 2020

20 Atomic Sonnets

Black Warrior Review, 2020

turn around, BRXGHT XYXSGet Freh Books, 2019

turn around, BRXGHT XYXS

Get Fresh Books, 2019

Topics addressed in readings

  • Latinx identity

  • Jewishness/Judaism and Jewish mysticism

  • Queerness

  • Liminality and borders

  • Pop culture

  • Science and technology

  • Multiverses and extraterrestrial life

  • Poetic form

Sample workshop 1: Poetry as Lyric Technologies

A workshop on reexamining our connections to reality, each other, “artificial” intelligence and even life outside our planet. Students will interrogate how we connect, what ‘togetherness’ in the 21st century means, and what might follow a post-human existence.

Sample Workshop 2: Poetry as Peculiar Joy(s)

A workshop on connecting in times of social distancing and anxiety. How can we reframe our expectations for the future, our hopes and happiness, through a poetry of a new, sometimes painful but necessary candor? Students will examine joy through the modes of the cacophonous, the fragile familial ties and even the elegy.

TESTIMONIALS

The disciplines of poetry and physics might seem far afield from one another, but Ben-Oni draws on the odd properties of supersymmetry to create a dexterous collection of electric lyrics that defies conventions of science and syllabics alike. In fragments of text that float and swirl in staccato arrangements, Ben-Oni grapples with otherwise abstract principles made intimate in their idiosyncratic imagining: “They are not elegant. // I mean. My vibra- tions, my math. In particular. // The math holding me together is particularly faulty.” Projected outward, the poet’s vision captures relationships with breathtaking imagery, as when a poem slowly disentangles the speak- er’s connection with her father-in-law: “The air is grey. & osseous. Sheds soft down. My eyes water.” A series of “Poet Wrestling” poems define the book’s structure, and “Poet Wrestling with the Brxght Brxght Xyxs” recalls Ben-Oni’s previous collection, turn around, BRXGHT XYXS (2019), creating a multifaceted, intertextualverse} String Theory” invokes Hebrew gematria and the 11 dimensions hypothesized by string theory with equal ease, and serves as a cypher through which to understand preceding passages. An astonishing work for adventurous readers intrigued by science and literature.
— Booklist, Starred Review
[Rosebud] Ben-Oni’s poems conjure fierce feminist magic to create a simultaneous ode and lament of a book that reminds us we are the sum of all the parts of our selves: our roots and contradictory loves, all the things we’re born into and out of, the corporeal experiences we only sometimes choose—and she brings it all home with power, humor, grace, and lines like this: “This is my blood and this / my body this time / you won’t betray me / I am your kingdom come.”
— Erika Meitner, author of Holy Moly Carry Me (BOA Editions, 2018)

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