Dr. Raina J. León
Dr. Raina J. León, PhD is Black, Afro-Boricua, and from Philadelphia (Lenni Lenape ancestral lands). She is a mother, daughter, sister, madrina, comadre, partner, poet, writer, and teacher educator. She believes in collective action and community work, the profound power of holding space for the telling of our stories, and the liberatory practice of humanizing education. She seeks out communities of care and craft and is a member of the Carolina African American Writers Collective, Cave Canem, CantoMundo, Macondo. She is the author of black god mother this body, Canticle of Idols, Boogeyman Dawn, sombra : (dis)locate, and the chapbooks, profeta without refuge and Areyto to Atabey: Essays on the Mother(ing) Self. She publishes across forms in visual art, poetry, nonfiction, fiction, and scholarly work. She has received fellowships and residencies and attended retreats with The Watering Hole, the Obsidian Foundation, Community of Writers, Montana Artists Refuge, Macdowell, Kimmel Harding Nelson Center for the Arts, Vermont Studio Center, the Tyrone Guthrie Center in Annamaghkerrig, Ireland and Ragdale, among others. She is a founding editor of The Acentos Review, an online quarterly, international journal devoted to the promotion and publication of Latinx arts. She is a recipient of a National Association of Latino Arts and Cultures Grant. She recently retired early as a full professor of education at Saint Mary’s College of California, only the third Black person (all Black women) and the first Afro-Latina to achieve that rank there. She currently supports poets and writers at the Stonecoast MFA at the University of Southern Maine. She is additionally a digital archivist, emerging visual artist, writing coach, and curriculum developer.
SELECTED PUBLICATIONS:
POETRY: “Scenes in the life of a lesser angel,” Poetry
POETRY: "All around, he’s there,” “An owl questions with a human face,” “Phoebe,” and others, Connotation Press
POETRY: “Banned portrait in the MAGA era: Study says black girls are ‘less innocent,’” Jung Journal
ARTICLE: "Humanizing Online Teaching," Saint Mary’s College of California
SELECTED WORKS:
sombra: (dis)locate
Salmon Poetry, 2016
Boogeyman Dawn
Salmon Poetry, 2013
Canticle of Idols
CW Books, 2008







Topics addressed in readings
Afro-Latinx identities
Black feminist and Latinx poetics
Afrofuturism
Ecopoetics
Narrative medicine
Hybridity/interdisciplinary arts and ekphrastic writing
Poetics of place
Mothering (free children)
Creative writing pedagogy
Professional skills for writers
Education for educators
SAMPLE WORKSHOP 1: Narrative Medicine or Towards an Embodied Poetics
A workshop studying Black feminist authors who write about the body as (mis)understood within medical spaces. Students will start with an external perception of embodied experience through our interrogation of our own medical records.
SAmple workshop 2: Futurecasting
A workshop for the emerging writer. Have you ever felt lost in your own writing? Your writing dreams are myriad and arrive like a flood around you. What is this creation and how will it live beyond this page (and should it)?
TESTIMONIALS
“Here is the work of a poet who possesses the graceful sensuality of dusk & the unflinching eye of the butcher. One senses here, that León is committed to pulling back the red curtains of our historical, familial, cultural mythologies, & rendering what is found there into deep song. The result is a landscape of lyrical acuity fueled by a myriad of languages, characters, & centers. These poems give us the voice of The Marys, the sister, abuela ‘Buela, the lovers. In León, you have an Orpheic poet who dives into the underworld of every thing—& comes back with the news.”
“With dynamic characters and complex narratives, profeta without refuge is a provocative blend of Afro Sci-Fi and eco-poetics that takes on the controversial issues of gender, Black rage, generational trauma, and race. This revolutionary collection is a test of time—for our past, present and future. It’s more than just science and emotions, León makes narrative poetry from the discord of black and brown bodies buried in U.S. history.”